I grew up on Anne Rice’s Vampire Chronicles. I read the first book when the movie came out in 1994 and the rest of the series, to a point, and I’ve reread them a lot since. I’d always loved vampires in various forms, but something about Interview with the Vampire brought out the richness and realism of what being such a creature who used to be human might be like. I’m also a sucker for a good story framing and having a quirky reporter taping the interview was awesome. To this day, the first four books in that series remain some of my favorites.
Claudia’s Story, an adaption by Ashley Marie Witter, is Interview from her perspective, which is dark and disturbing. It tells how she was turned, how she grew from a true child vampire into a woman trapped into a child’s body for all eternity, and how she puts up with Louis (doting but self-hating) and Lestat (Monsieur Can Do No Wrong). I’m a huge fan of swapped POVs and unreliable narrator, which is part of the reason I love The Vampire Chronicles. One book is Louis’ take and the next book is Lestat going “Pfft yeah right, here’s how I saw it.”
So to give us an entirely new perspective is a great idea for a fresh way to retell the story. We get bits and pieces of Claudia’s diary in the third book, Queen of the Damned (which bares little resemblance to its movie incarnation), when Jesse, a supernatural investigator, recovers the journal. It’s always something I wanted more of, and here we are.
It is impossibly creepy to see it drawn out on the page. Claudia is small, maybe five in the novel, and in the graphic novel there are scenes where that alone is enough to make my skin crawl.
(Child monsters are always the worst, aren’t they?) Witter doesn’t shy away from the gritty darkness of a child who is not a child, nor does she avoid the uncomfortable conversations that arise because of it. It is Claudia’s story, after all, and Witter tells in all of its twisted, strange entirety. It’s devastatingly heart-breaking and completely disturbing at the same time.
The art work is breathtakingly gorgeous, too. Even if Louis looks constantly depressed (accurate). And finally, finally, we get a depiction of Armand that doesn’t make him look like a middle-aged man with a bear hide on his head. (I’ll concede Antonio Banderas played the hell out of that part in the movie but the costuming.. yikes.)
It works as a stand-alone story, but I suspect its best audience will largely be fans of the book and/or the film. Although if you like pretty and haunting vampire comics, this is definitely one to add to your collection.
(Also I forgot how much of a jerk Lestat is in Interview. Seriously, like, I know he’s the quintessential teenager pretty much always, but if he did like three things differently, everything could have been puppies and roses and sparkl–err… Well.. Maybe it’s better that he didn’t.)