This panel discussion is about women in the comic fan community and addressed the myth of the “fake geek girl” and the new “geek is sexy” marketing that’s been cropping up.
Chicks Dig Comics is an anthology collection by female writers and artists, published by Mad Norwegian Press. The panelists were all contributors, and they are:
Sarah Kuhn. Author of One Con Glory. Her essay is Me vs. Me, and is about why she doesn’t like the conversation of who would win in a fight. She’s not a fan of pitting characters against each other.
Jill Pantozzi. She’s writes for The Mary Sue, among other things. Her essay is about the Green Lantern as metaphor for her life and the emotions people go through as fans of comics.
Sheena McNeil. She is currently “Editorix and Chief” of webzine Sequential Tart, which was created to support women in comics. Her essay about the evolution of the zine and her experiences with it, and her knowledge of comics.
Rachel Edidin. Editor at Dark Horse. She works behind the scenes in comics. Her essay focuses on the editing and how she engages with comics in that way.
Erica McGillivray. Writer and blogger at 6’7″ and Green. She’s also the head of Geek Girl Con. Her essay is about Geek Girl Con and she and others decided to create it after connecting through the cosplay community.
Jen Van Meter. She has written for dc and marvel. She hesitated when asked to contribute because she was worried about writing nonfiction, since it had been a while since she’d done it. But her daughter was having issues at school and it reminded her of being young and relying on horror comics, and wanting to like scary stories. She found Vampirella, among others, so her essay is about how those comics helped her deal with fear and social anxiety.
After introductions, the panels opens by talking about Geek Girl Con and what it means to them, and how comic fandom has changed for women. Kuhn says one thing that’s really great bout GGC is the sense of community. Pantozzi is very thrilled that people and fans are happy to come together online and in person. When she started her own blog, there weren’t a lot of women out there writing about comics and that’s changing now. Twitter has helped the community grow and connect as well.
Kuhn agrees. She even has a Twitter list called “Nerd Girl Mafia.” As far as connecting to other female comic fans, she says things shifted when comment sections popped up on the internet. As much as we hate those, before they existed, you had to email someone to reply, which took a lot of effort. Comments allow other women to say hey, I am a lady and I like these comics too.
McNeil says that when manga peaked in the us, female readership of comics went up. Some places embraced that, and some did not. With manga you didn’t have to go to a comic book store to get it. And there’s a 50/50 chance the author is female.
Edidin got involved tn the comic book world from several different angles at the same time. Writing essays and working at Dark Horse .”One of the things that I’ve found I the feminist comic community.. is that it’s really celebratory.” There are a lot of stereotypes about women competing and being catty, but it is largely the opposite in the comic world, at least as far as she’s observed.
McGillivray came from the Buffy fandom and the world of fanfic writers, both of which are largely female, so when she got into the comic scene, she was like where are all the ladies?
“I’ve probably got ten years on very one here,” Van Meter says. Back when she was a kid who liked comics, the stereotype was closer to true. There weren’t even comic book stores, just comics on spin racks, so there was no way to really interact with other fans until one found the convention circle. Even there, she often felt like she was one of the few women there as a fan and not a girlfriend. When she first started going to SDCC twenty-one years ago, the ladies’ room was always empty. The first time she had to wait in line for the restroom, she was thrilled.